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Titel	Captain America: The Winter Soldier 2014
Zeitdauer	165 winzig
Verzicht	2014-03-20
Beschaffenheit	AVI 1080p VHSRip
Buchgattung	Action, Adventure, Science Fiction
Jargon	English
castname	Fayzan I. Campin, Grainne Z. Iestyn, Lida B. Esme

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This movie is very good I loved it so much.
This is indeed a great piece of superhero entertainment. If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers. There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world. Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla. It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done. Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick (hey I am but an ordinary male, I like female actors in tight costumes) and a clear hero. None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life. Its 8 out of 10 rating at IMDb (at the time of writing this) is well deserved. I am astonished that some people seem to have voted it down with a one star rating. It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.
Put *a little* bit of brain in a superhero's movie script and you will have everybody talking wonders about it.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected.
The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Plus we get introduced to a new/old villain as well as some fun romantic tension between Steve Rogers (Captain America) and Natasha Romanoff (The Black Widow). (Scarlett Johansson is perfect in this role.)

But this film also has some minor irritations all stemming from Marvel's tendency to make _Captain America_ more complicated than it really needs to be.

MINOR SPOILER ALERT:
1. The love story/non-story. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor? Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless.

2. “The deception goes deeper than you can imagine. You can’t trust anybody.” It's this way every time so it should no longer be a surprise.

3. He’s dead but not really. Not him, the other him. Well…they both were dead – not really – but now they are both alive. But one of them can’t remember who he really is. In this film we get to do this with two characters instead of one. It’s not a huge distraction but why does Marvel keep returning to this plot line?

END OF MINOR SPOILER ALERT

The Winter Soldier is best when Rogers and Romanoff are on the move trying to put the pieces of the puzzle together. The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report. It’s a great summer flick with all the action you want.
Till the end of the road.

Stonking! Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks. It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon (and Nick Fury of course) keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man. In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about. Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art. There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable. A rich sequel indeed - more Captain America please. 9/10
**A long format review from 2014**

Misleadingly, the titular Winter Soldier is essentially a minor subplot in what is more of an espionage-technoir-thriller meets spectacle-epic than your typical super hero film. The real meat of the movie, thankfully, has some more substance behind it. Though it wouldn't surprise me if we learn later that Sebastian Stan's villain was forced to take a back seat via last minute script changes à la Hawkeye in _The Avengers_.

These things are of course a matter of opinion, and I'd like to watch _Winter Soldier_ at least once more (particularly in 2D... God do I ever hate 3D) before committing to any particular ranking. But even without that, I feel confident in saying it's the best MCU Phase 2 film to date. We must await _Guardians of The Galaxy_ and _Age of Ultron_ before cementing that little award, but I'd say that it stands at the very least above _Iron Man 3_ and _The Dark World_.

I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one. This makes talking about _Winter Soldier_ on its own merits difficult, but there are certainly a few things that can be said.

Chris Evans (Cap'), Scarlett Johansson (Black Widow) and to a slightly lesser extent. Anthonie Mackie (Falcon) rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Where _The Dark World_ was simply a holding pattern for Thor with some very pretty pictures, _Iron Man 3_ and _The Winter Soldier_ went out and took some actual risks in their stories. But unlike _Iron Man 3's_, Winter Soldier's risks have (to its eternal credit) been universally well received.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

As I said, I really feel I need to give _The Winter Soldier_ at the very least one more screening before I feel totally confident in my thoughts about it.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does.

86%

_-Gimly_
Captain America: The Winter Soldier opens up with an action sequence that's better than most action movie climaxes. It then sets up a really intriguing story before launching into one of the most suspenseful car chases since the Simpson/Bruckheimer 90s era. After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

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Me Before You 2016 filme kostenlos anschauen -720p-FLA

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Me Before You-uncut-2016-online schauen-Blu-ray-Blu-ray-DVDScr-italienisch-HDRip-stream-MPEG-DAT-MPE.jpg

Rechtsanspruch	Me Before You 2016
Geltungsdauer	136 kleinst
Auslöse-	2016-06-02
Beschaffenheit	DAT 720p Bluray
Buchgattung	Drama, Romance
Sprache	English
castname	Renz P. Mitra, Klaudie T. Dyann, Galatee J. Sammie

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EDE – Wikipedia ~ EDE – Einkaufsbüro Deutscher Eisenhändler GmbH ist eine Einkaufsgemeinschaft mit Sitz in EDE GmbH ist nach eigenen Aussagen Europas größter Einkaufs und Marketingverbund für über 1300 mittelständische Handelsunternehmen

Standard – Wikipedia ~ Der Standard ESE englisch easy serving espresso ist ein offener Standard des Consorzio per lo Sviluppo e la Tutela dello Standard dt „Konsortium für die Förderung und den Schutz des Standards“ von Kaffeepads das speziell für Espressomaschinen mit Siebträgern entwickelt wurde Hintergrund Hierbei handelt es sich meistens um Espressomaschinen ohne Mahlwerk

ETicket – Wikipedia ~ ETickets im ÖPNV Im ÖPNV kommen inzwischen echte ETickets zum Einsatz siehe eTicket DeutschlandDer Fahrschein existiert hier nur noch als Datensatz der verschlüsselt auf einer Chipkarte abgespeichert ist Um die Echtheit eines solchen ETickets zu prüfen benötigt der Kontrolleur ein elektronisches Lesegerät mit Sicherheitsmodul Secure Application Module SAM das das ETicket

eMoll – Wikipedia ~ eMoll ist eine Tonart des Tongeschlechts Moll die auf dem Grundton e aufbaut Die Tonart eMoll wird in der Notenschrift mit einem Kreuz geschrieben fis Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart die Tonika egh werden mit dem Begriff eMoll bezeichnet Links das Vorzeichen von eMoll rechts der Grundakkord auf einem Klavier

EMailKonto – Wikipedia ~ Einrichten eines EMailKontos In dem Augenblick in dem sich der Benutzer beim EMailAnbieter ein Benutzerkonto als Zugangsberechtigung zulegt richtet ihm der EMailAnbieter ein EMailPostfach ein Hierbei wählt der Benutzer einen Benutzernamen häufig ein Pseudonym und ein Passwort

E Wedel – Wikipedia ~ Geschichte Das Unternehmen wurde 1851 unter dem Namen E Wedel von Karl Wedel einem aus Deutschland eingewanderten Unternehmer in Warschau gegründet Das Unternehmen entwickelte sich schnell zu einem der größten und beliebtesten Hersteller von Schokolade in Polen Der Name Wedel ist in Polen ein Synonym für hohe Qualität und eine traditionsreiche Geschichte im Bereich der

EBusiness – Wikipedia ~ EBusiness laut Duden auch eBusiness in internationalen Texten ist die integrierte Ausführung aller automatisierbaren Geschäftsprozesse eines Unternehmens mit Hilfe von Informations und Kommunikationstechnik IuK Die Bezeichnung eBusiness ist mit Ausnahme geschützter Zusammensetzungen frei verwendbar

E164 – Wikipedia ~ FQTN Vollständige E164Nummern in der internationalen Schreibweise nach E123 werden im Zusammenhang mit ENUM gelegentlich als Fully Qualified Telephone Number FQTN bezeichnet weil sie einen Telefonanschluss weltweit eindeutig Begriff ist parallel zu Fully Qualified Domain Name FQDN gebildet „ENUM is the name of a protocol that resolves fully qualified telephone

Netz – Wikipedia ~ Geschichte Die Netz GmbH wurde im Jahr 2000 bei der Fusion der Bayernwerk AG und der PreussenElektra AG zur Energie AG gegründet allerdings bestand das Unternehmen schon seit 1998 und wurde 2000 bei der offiziellen Fusion nur umbenannt

EPostbrief – Wikipedia ~ Der EPostbrief der Deutschen Post kurz EBrief genannt ist ein Hybridpostdienst mit angeschlossener Website für den Austausch elektronischer Nachrichten über das des EPostbriefs ist es höhere Authentizität besseren Datenschutz und eine stärkere Integrität zu bieten als eine herkömmliche unverschlüsselte EMail die mit einer elektronischen Postkarte verglichen wird

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Edge of Tomorrow 2014 filme kostenlos anschauen -1080p-DTS

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Titulierung	Edge of Tomorrow 2014
Dauer	121 Besprechungsprotokoll
Freistellung	2014-05-27
Qualität	SDDS 720p BDRip
Genre	Action, Science Fiction
Ausdrucksweise	English
castname	Shaw E. Shaïna, Rhyse I. Codee, Stock X. Isaiah

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Interesting enough and with a decent script for this kind of Sci-Fi movies. The FX are also OK.

Tom Cruise does an OK job and Emily Blunt nails her character, being the brightest thing in screen every time she appears.
Not a bad movie, got kind of sick of the "ground hog day" effect. Could have used less of that, all in all pretty enjoyable to watch.
I have to say that this movie was surprisingly enjoyable. I did have my doubts about it. I always have doubts about movies that manipulate time. I guess one advantage the movie has is that it does not really involve time travel and changing the past to influence the future but “only” resetting a day and living it over and over again.

The entire concept is of course still totally ludicrous. Even if we forget about the feasibility about resetting time altogether there are just so many things that are wrong with the concept. For example, is time reset all over the universe or just on Earth? Both of those avenues create their own issues further down the line of course. Even if we try to forget these larger issues there are the issue that as soon as Cage altered his own behavior from one repetition of that day to another he would alter the chain of events and what he knew was the events in the previous repeat would no longer be certain in the one he was living right then. Not to mention that he had a longer and longer chain of people to convince on a single day and still get the job done.

Okay, enough harping about that. If you manage to lock out all these annoying issues with the story what remains is, as I wrote before, actually a fairly enjoyable movie. It is primarily a science fiction action movie of course and the action as well as special effects are not bad at all. We get treated to plenty of the classical déjà vu scenes were Cage tries to convince people by predicting their immediate future in minute details. Classical and very not innovative but well done and I have to admit that I am a bit of a sucker for these impress-and-surprise someone scenes. On the whole the movie managed to use the basic concept of reliving the day and make it feel reasonable fresh despite it not being a entirely new idea. The fact that the acting was quite adequate and that both Tom Cruise and Emily Blunt made a good performance as far as I am concerned of course helped.

Naturally the movie builds up towards the climactic battle against the alien central organism and of course everyone (who Cage managed to convince) have to throw in their lives to get Cage in position for the final attack. Personally I liked the ending although I have to say that I was a bit miffed that the writer did not manage to come up with some more imaginative ending scene between Cage and Rita though.

Bottom line, an enjoyable movie well worth watching.
What makes Edge of Tomorrow's 'failure' a bit surprising is how many of us have always wondered - what would happen if you put Groundhog Day in the context of an invasion of Earth by aliens keen on destroying the human race? Okay...so bad example.

This is about action, killing aliens, and getting in as many 'gallows humor' one-liners as possible. And I realize it tanked in the theaters (relatively speaking) but (I can't believe I'm going to say this)...

But it's a fun movie. It's entertaining, the directing is sharp and quick. In Groundhog Day, about the 4th time you "I Got You Babe" you are screaming at the film - "WE GET IT!!! MOVE THE STORY ALONG!!" That never happens in Edge of Tomorrow. Each cycle through, the story advances and another layer is revealed. The director seems to get that the audience is smart and they can keep up.

Tom Cruise is well, he's Tom Cruise. But Emily Blunt is fantastic in the film.

The ending was a bit of a head-scratcher. Won't spoil it here but the rest of the movie works and thought it was very entertaining. It's a fun action movie - and there's nothing wrong with that.
Resetting the day.

Edge of Tomorrow is directed by Doug Liman and collectively written by Christopher McQuarrie, Jez Butterworth and John-Henry Butterworth. It stars Tom Cruise and Emily Blunt, with music by Christophe Beck and cinematography by Dion Beebe.

It has proved to be a great decade for sci-f, it seems that for every misfire there are three great genre films to off set the disappointments. Sitting at the top end of the table is Edge of Tomorrow (AKA: Live Die Repeat). Adapted from Hiroshi Sakurazaka's novel "All You Need Is Kill", the story has Cruise as William Cage, an American army Major who upon being thrust into combat against an alien race decimating Earth, finds he awakens to the same day after being killed in action. Seeking out Rita (Blunt), the most decorated soldier of the time, Cage must understand what is happening to him and hopefully save the future of mankind.

So far so Groundhog Day/Source Code then, but Liman's film never lets up from the get go, frenetic with its action, funny into the bargain, and also sexy, it manages to blend audience pleasing conventions with clever thought and process. There's nothing new in the philosophy on show, and there are regular sci-fi tropes for familiarity of genre, but if you are going to recycle formula then do it with verve and swagger, which this most assuredly does. Boosted by Cruise turning in a good one as an unlikable character who develops into a protag to shout for, and Blunt as a super sexy bad-ass poster girl for the war effort, Edge of Tomorrow ultimately rocks. The science will obviously infuriate those who take such things way too seriously, but as the terror of this particular war unfolds on screen (nifty effects), and we have been bought wholesale into our heroes and their quest, its small failings are hardly worth cocking a snook at. 8/10

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Bezeichnung	Shutter Island 2010
Geltungsdauer	186 peinlich genau
Erlösung	2010-02-14
Beschaffenheit	FLV 1440p Blu-ray
Genre	Drama, Thriller, Mystery
Fachsprache	English, Deutsch
castname	Pichot I. Regine, Walter H. Caressa, Syon G. Brochet

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Nice movie
This was a random thing. We didn't even know the schedule and I was just wearing a random shirt and shorts. I just wanted to drink mango shake but then we randomly decided to go to eastwood and check the schedule. We were supposed to watch Diary of a Wimpy Kid but since Shutter Island's showing, then Shutter Island it is. But then wearing my "pambahay" outfit didn't really help since I saw 2 people from AC. grrrrrr. When I dress up, I don't see anyone I know but when I'm not properly dressed and I look like a mess, suddenly all these people come up to me and say hi. Note to self: always dress up.

I liked it. Watching Leonardo is not bad at all. I liked the twist of the story. Although you'll have some hints here and there, you'll think "oh I'll wait and see what it really is". And then the twist happens and you'll be like "I knew that all along". But that doesn't stop me from liking this movie. I'm so jealous of the girl playing his daughter. I mean first kiss...Leonardo Di Caprio???? Wow. I would take her place anytime. Michelle Williams...I'm not really a big fan of her. And after seeing this and being jealous also of her because of how she sat on the lap of Leo, I can say I don't like her at all. lol. Leonardo is awesome as always. It's amazing how good of an actor he is and he still hasn't won any Oscars. His time will come. I know he will win. And that flashback scene, he looked really good. Yum Yum Yum!


I rate this movie as A. Love the story. Love the actor.

3DBrille – Wikipedia ~ So genannte „PulfrichBrillen“ mit helldunklen Filtern z B „Nuoptix“ nutzen den „PulfrichEffekt“ für einen 3DEindruck bei seitlichen Kamerafahrten und wurden z B durch die RTLFernsehsendung Tutti Frutti Anfang der 1990erJahre sehr verbreitet Beim Pulfrichverfahren handelt es sich um keine echte stereoskopische Darstellung da das Bild nur mit einer einzigen Kamera

Rachael Taylor Schauspielerin – Wikipedia ~ Karriere Taylor begann ihre Schauspielkarriere 2004 mit dem Fernsehfilm The Mystery of Natalie gleichen Jahr hatte sie einen Auftritt in der Fernsehserie McLeods Töchter und eine Rolle in Man Thing Für ihre Hauptrolle in der australischen Serie headLand beendete Taylor ihr Studium an der University of Sydney 2006 war sie mit dem Horrorfilm See No Evil im Kino zu sehen

Patricia Clarkson – Wikipedia ~ Leben Patricia Clarkson betrachtete Ingrid Bergman als ihre Lieblingsschauspielerin und beschloss ihretwegen ebenfalls Schauspielerin zu werden Sie studierte Schauspiel im Yale School of Drama und hatte ihren ersten Auftritt als Filmschauspielerin in The Untouchables – Die Unbestechlichen 1987 Sie ist überwiegend in Independent und Ensemblefilmen zu sehen und stellt häufig starke

Michelle Williams Schauspielerin – Wikipedia ~ A Million Dreams mit Hugh Jackman Ziv Zaifman UK 22 22032018 29 Wo Michelle Ingrid Williams er 1980 in Kalispell Montana ist eine USamerikanische Mitte der 1990erJahre hat sie in über 40 Film und Fernsehproduktionen mitgewirkt

Bodyplethysmographie – Wikipedia ~ Die heute verwendete Methode der Bodyplethysmographie geht auf die Einführung der Methode durch DuBois im Jahr 1956 zurück Im klinischen Bereich und in Praxen niedergelassener Pneumologen gilt die Bodyplethysmographie als Diagnoseverfahren der ersten Wahl

Canon Ixus – Wikipedia ~ Den Namen IXUS führte das japanische Unternehmen Canon 1996 als Bezeichnung ihrer APSKompaktkameras ein Seit 2000 findet diese Bezeichnung als Canon Digital IXUS auch für eine Modellreihe von sehr kompakten Digitalkameras Verwendung In den USA und Kanada werden diese IXUSModelle unter den Bezeichnungen Elph APS ot Digital Elph digital in Japan unter dem Label Ixy vermarktet

Tobias Nath – Wikipedia ~ Leben 1990 zog Nath nach Berlin und begann 1994 seine Schauspielkarriere in dem Film Natalie – Endstation Babystrich in dem er den Max spielte Im gleichen Jahr hatte er eine Hauptrolle im Film Die brennende Schnecke 1997 konnte man ihn dann in der Fortsetzung des ersten NatalieFilms Natalie 2 – Die Hölle nach dem Babystrich sehen Im Jahr darauf war er in dem Drama Tod auf Amrum als

Leonardo DiCaprio – Wikipedia ~ Mit Shutter Island der im Februar 2010 in den deutschen Kinos anlief arbeitete der Schauspieler bereits zum vierten Mal unter der Regie von Martin Scorsese den er für den größten lebenden Regisseur hält DiCaprio übernahm in diesem auf dem gleichnamigen Roman von Dennis Lehane basierenden Psycho–Thriller die Rolle des zunehmend unter Paranoia leidenden USMarshals Edward „Teddy

Dissoziative Identitätsstörung – Wikipedia ~ Die dissoziative Identitätsstörung DIS nach DSM5 und ICD11 oder multiple Persönlichkeitsstörung MPS nach ICD10 ist eine dissoziative Störung bei der sich die Psyche der betroffenen Person in mehrere Teilpersönlichkeiten oder Teilidentitäten aufspaltet Diese übernehmen abwechselnd die Kontrolle über das Denken Fühlen und Handeln und wissen in der Regel nichts voneinander

Liste von Geisterfilmen – Wikipedia ~ Geschichte Seitdem der Film Topper – Das blonde Gespenst zum Hit wurde begann man sich in Hollywood mehr für Geisterfilme zu interessieren Über Jahrzehnte hinweg wurden Geisterfilme hauptsächlich in Spukhäusern gedreht Jedoch bestimmten auch die kulturellen und historischen Hintergründe aus denen die Menschen stammten den Erfolg eines Filmes

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Frozen 2013 filme kostenlos anschauen -1440p-SDDS

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Bezeichnung	Frozen 2013
Geltungsdauer	138 minuziös
Auslöse-	2013-11-27
Beschaffenheit	MP4 1080p VHSRip
Genre	Animation, Adventure, Family
Fachsprache	English
castname	Yekcan R. Amarisa, Mitul L. Dubarle, Evelyn J. Foing

Frozen 2013 Frozen ganzer film deutsch, Frozen online stream - Ganzer film, Frozen ganzer film online stream - Deutsch

"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.

The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.

It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.

Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.

But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.

When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.

Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.

The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.

Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)

Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)

While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.

Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...

... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.

Not a bad movie, but not the best and I think far from the fun I had with Tangled.

Frozen – Eiskalter Abgrund – Wikipedia ~ Frozen – Eiskalter Abgrund Originaltitel Frozen ist ein USamerikanischer Thriller aus dem Jahr 2010 von Adam Green mit Shawn Ashmore Emma Bell und Kevin Zegers in den Hauptrollen

Frozen Lied – Wikipedia ~ Frozen ist ein Lied von Madonna das im Februar 1998 auf dem Album Ray of Light erschien

Frozen Shoulder – Wikipedia ~ Einteilung Ist die Ursache bekannt so spricht man von einer „sekundären“ frozen shoulder ansonsten von einer „primären“ oder „idiopathischen“ Letztere Form kann auch als „adhäsive Kapsulitis“ bezeichnet werden

Gefrorenes Frischplasma – Wikipedia ~ Gefrorenes Frischplasma GFP auch FFP von Frozen Plasma ist ein aus dem Plasma von Spenderblut gewonnenes schockgefrorenes Blutprodukt das die flüssigen und gelösten Bestandteile des Blutes enthält während die korpuskulären Bestandteile Zellen des Blutes Erythrozyten Leukozyten Thrombozyten durch Zentrifugieren weitgehend entfernt wurden

Delain – Wikipedia ~ Delain wurde 2002 von Martijn Westerholt dem ExKeyboarder der MetalBand Within Temptation gegründet nachdem er diese 2001 aufgrund einer Erkrankung am PfeifferDrüsenfieber verließ Deren Gründer Robert Westerholt ist Martijns Bruder Nachdem Martijn Westerholt 2002 zusammen mit der Sängerin Anne Invernizzi den Gitarristen Roy van Enkhuyzen und Frank van der Meijden dem Bassisten

Radha Mitchell – Wikipedia ~ Radha Rani Amber Indigo Anunda Mitchell r 1973 in Melbourne Victoria Australien ist eine australische Schauspielerin Filmproduzentin und Filmregisseurin Leben und Karriere Als Kind hatte Radha Mitchell von 1988 bis 1989 in der australischen Kinderserie Wie Hund und Katze ihre erste Hauptrolle als Pixie viele andere junge australische Schauspieler spielte sie

Shawn Ashmore – Wikipedia ~ Leben Seine Schulausbildung erhielt Ashmore an der Turner Fenton High School in Filmdebüt gab er 1989 in einer Episode der Fernsehserie Katts und steht er in vielen Spielfilmen und Fernsehserien vor der Filmkamera

Mrs Greenbird – Wikipedia ~ Biografie Sängerin Sarah Nücken und Gitarrist Steffen Brückner lernten sich 2006 in Köln im Club Underground kennen Nücken studierte Soziale Arbeit und war als Sängerin in Gospelchören und Bands aktiv Brückner war ebenfalls Bandmusiker und unter anderem auch Lobpreisleiter der Kirche Köln West Danach machten sie zu zweit und zusammen mit Bands Musik unter anderem mit der Indiepop

Jonathan Groff – Wikipedia ~ Leben Kindheit und Jugend Jonathan Groff der Sohn von Jim und Julie Groff wuchs in Ronks einer kleinen Landgemeinde in Lancaster County auf und besuchte bis 2003 die Conestoga Valley High School in Lancaster Nach seinem Schulabschluss zog er nach New York City um sich von dort aus eine Karriere als Schauspieler sich finanziell über Wasser halten zu können arbeitete er

Trauma – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

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The Help 2011 filme kostenlos anschauen -720p-M1V

The Help 2011 Online Stream

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The Help-HDRip-2011-720p-stream-MPEG-1-FLV-TVrip-MPG-MPG-DVD-HDTS-M1V.jpg

Titel	The Help 2011
Dauer	124 Notiz
Entladung	2011-08-09
Qualität	MPG 1440p DVDrip
Genre	Drama
Ausdrucksweise	English
castname	Délya C. Maÿlis, Juin A. Burton, Wenona A. Collin

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Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

LP – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

The Slim Shady LP – Wikipedia ~ The Slim Shady LP Slim Shady bezeichnet Eminems Alter Ego ist nach dem UntergrundAlbum Infinite das zweite Soloalbum des USamerikanischen Rappers erschien am 23 Februar 1999 über Dr Dres Label Aftermath Entertainment sowie Interscope Records und stellt den Beginn des kommerziellen Erfolgs von Eminem dar

The Marshall Mathers LP 2 – Wikipedia ~ Das Albumcover wurde am 20 September 2013 über Eminems TwitterAccount verö ist in SchwarzWeiß gehalten und zeigt ein Holzhaus das bereits für das Cover von The Marshall Mathers LP diente und in dem der Rapper einen Teil seiner Kindheit verbrachte Fenster und Türen des Hauses sind mit Brettern vernagelt und im Vordergrund befindet sich ein Nadelbaum

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

Lineare Optimierung – Wikipedia ~ Geschichte Die Methode der linearen Optimierung wurde 1939 von dem sowjetischen Mathematiker Leonid Witaljewitsch Kantorowitsch in seinem Aufsatz „Mathematische Methoden für die Organisation und Planung der Produktion“ eingeführt Kurz danach veröffentlichte der Amerikaner Frank L Hitchcock eine Arbeit zu einem erkannte man noch nicht die Bedeutung dieser Arbeiten

Limited Partnership – Wikipedia ~ Eine Limited Partnership abgekürzt LP oder englisch für Beschränkte Partnerschaft ist eine angelsächsische Unternehmensrechtsform die mit einer deutschen Kommanditgesellschaft vergleichbar ist und aus mindestens zwei Gesellschaftern besteht Die Limited Partnership ist eine Rechtsform unter der viele angelsächsische PrivateEquityund VentureCapitalGesellschaften geführt werden

Lloyd 300 – Wikipedia ~ Motor und Getriebe Angetrieben wurde der Lloyd von einem vor der Vorderachse quer eingebauten luftgekühlten ZweitaktZweizylinderMotor Twin mit einem Hubraum von 293 cm³ der 10 PS bei 4000min leistete Die Kraft wurde über ein nicht synchronisiertes DreigangSchieberadgetriebe auf die Vorderräder ü Höchstgeschwindigkeit betrug ca 70 kmh und der Verbrauch lag bei 55

Regenballade – Wikipedia ~ Mit geringfügigen Ausnahmen hat Reichel auf dieser Platte auch sämtliche Instrumente gespielt Bedeutung Seit seinem Erscheinen wird das Album als Unterrichtsmittel im bundesdeutschen muttersprachlichen Unterricht verwendet was viele Unterrichtsempfehlungen und Praxisberichte in pädagogischen Fachzeitschriften belegen

Finanzplan – Wikipedia ~ Unternehmen Kommt ein Schuldner seinen Zahlungsverpflichtungen nicht nach oder ist er nicht in der Lage die fälligen Zahlungspflichten zu erfüllen so liegt nach § 17 in Verbindung mit § 16 Insolvenzordnung der allgemeine Eröffnungsgrund für die Eröffnung des Insolvenzverfahrens vor Zur Vermeidung der Insolvenz sind von den Wirtschaftssubjekten somit die zukünftigen Einzahlungen

Rechtsfahrgebot – Wikipedia ~ Geschichte Seit römischer Zeit wurde in Europa links gefahren Erst Napoleon Bonaparte führte zunächst in Frankreich später in den von ihm besetzten Ländern das Rechtsfahrgebot ein welches sich dadurch im größten Teil Europas Österreich wurde das Rechtsfahrgebot 1938 mit dem Anschluss an Deutschland überall eingeführt Italien stellte 1924 und Schweden 1967 in der

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Sachtitel	Fifty Shades of Grey 2015
Dauer	151 Minute
Auslöse-	2015-02-11
Güte	WMV 1440p HDRip
Gattung	Drama, Romance, Thriller
Ausdrucksweise	English
castname	Emerson O. Ramata, Sosno T. Leonie, Guillem K. Mady

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Anrecht	Django Unchained 2012
Zeitdauer	124 Besprechungsprotokoll
Verzicht	2012-12-25
Eigenschaft	Dolby Digital 1080p Bluray
Genre	Drama, Western
Fachsprache	English, Français, Deutsch
castname	Madolen J. Conche, Alycia Z. Harper, Adonis F. Thibaud

Django Unchained 2012 Django Unchained ganzer film deutsch, Django Unchained online stream - Ganzer film, Django Unchained ganzer film online stream - Deutsch

America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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Bezeichnung	Silver Linings Playbook 2012
Zeitdauer	179 Augenblick
Freisetzung	2012-09-08
Güte	AVCHD 720p DVDScr
Buchgattung	Drama, Comedy, Romance
Ausdrucksweise	English
castname	Avah J. Racha, Jeanie U. Tiguida, Gouraud Y. Roshini

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