Kamis, 28 Februari 2019

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Spectre"




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Sachtitel

Spectre 2015

Zeitdauer

114 peinlich genau

Kinostart

2015-10-26

Beschaffenheit

FLV 1440p
Bluray

Buchgattung

Action, Adventure, Crime

Ausdrucksweise

Français, English, Español, Italiano, Deutsch

castname

Sahar
B.
Karter, Mawada A. Zander, Rozier J. Inari









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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

EinzelphotonenEmissionscomputertomographie – Wikipedia ~ Die EinzelphotonenEmissionscomputertomographie kurz SPECT von englisch single photon emission computed tomography ist ein diagnostisches Verfahren zur Herstellung von Schnittbildern lebender Organismen und damit eine Variante der Bilder zeigen die Verteilung eines Radiopharmakons im Körper Sie eignen sich je nach Art des Radiopharmakons zur Beurteilung

Myokardszintigrafie – Wikipedia ~ In Cardiolite ® enthält der Komplex sechs Moleküle 2Methoxyisobutylisonitril MIBI als Liganden um das TcZentralatom Der Komplex ist stark lipophil und wird passiv durch Diffusion in die Herzmuskelzelle aufgenommen Die Injektion von 250 bis 500 MBq 99m TechnetiumMIBI Cardiolite ® erfolgt wie bei der Untersuchung mit Thallium unter Gegensatz zur Untersuchung mit

Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

TMA – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Skelettszintigrafie – Wikipedia ~ Die Skelettszintigrafie auch Knochenszintigrafie engl bone scan genannt ist ein nuklearmedizinisches bildgebendes Verfahren Szintigrafie das zum Nachweis von KnochenAnteilen mit einem erhöhten Knochenstoffwechsel dient Bereiche mit einem erhöhten Knochenstoffwechsel „Herde“ finden sich beispielsweise bei Knochenmetastasen im Rahmen von Krebserkrankungen z B

LewyKörperDemenz – Wikipedia ~ Geschichte Benannt ist die Erkrankung nach Friedrich H Lewy 1885–1950 einem deutschen Neurologen In seinem Buchkapitel über die „Paralysis agitans“ heute Morbus Parkinson beschrieb er erstmals die später nach ihm benannten LewyKörperchenWährend seiner Tätigkeit an der Berliner Charité fand er diese Veränderungen im Nucleus basalis Meynert und Nucleus dorsalis nervi vagi

Szintigrafie – Wikipedia ~ Die Bildgebung beruht auf der Verabreichung von Radiopharmaka d h Stoffen die radioaktiv markiert sind Dabei werden solche Stoffe verwendet die sich in dem zu untersuchenden Gewebe besonders gut anreichern

Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

Scanner – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Striatofrontale Dysfunktion – Wikipedia ~ Striatofrontale bzw frontostriatale Regelkreise Schleifen „loops“ gehen von der Großhirnrinde Cortex aus und verlaufen über die Basalganglien und den Thalamus zurück zum Großhirn und zwar im Wesentlichen zum von der gesamten Großhirnrinde gelangen Informationen zum Striatum als Eingangsstation der Basalganglien kortikostriatale Verbindungen mit


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Arrival 2016 filme kostenlos anschauen -1440p-Sonics-DDP

Arrival 2016 Stream Hd



Arrival"




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Adelstitel

Arrival 2016

Dauer

151 Sitzungsprotokoll

Ausgabe

2016-11-10

Qualität

M4V 1080p
VHSRip

Genre

Drama, Science Fiction, Mystery

Sprachfähigkeit

普通话, English, Pусский

castname

Laurell
U.
Isabeau, Debbie O. Bégout, Zeynab X. Rajesh









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Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.

Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.

The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication.

_Final rating:★★★½ - I strongly recommend you make the time._
**It was a perfect contact, but troubled at the communication.**

The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.

The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end.

When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts.

To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself.

_7/10_
"I have a brilliant idea for a movie so what we do is we watch scientists step-by-step learn to communicate with an alien species"

"That's awesome but we need an emotional component or audiences will be bored"

"Okay the main scientist's daughter is dead and we show clips of that every couple minutes"

"Greenlight"
Arrival is an attempt to take a more realistic approach to how an alien visitation would play out, especially within global politics. The main thrust is that Amy Adams has to find out what the aliens want before any other country can fuck it up and they did a great job in casting Amy Adams. I'm not usually any more than indifferent of Adams, but she does a great job here with what she's given. Jeremy Renner does as good as Jeremy Renner can do with a character that isn't just stoic bad-ass. I like Renner, but unlike other alien films, Arrival isn't an "alien invasion" movie where he can run around shooting stuff and making quips, so I'm not sure he was the best choice. The only other actor of note is Forrest Whitaker, who does fine, but he has this stupid accent that has no purpose. I had to watch interviews with him to make sure he wasn't just doing an accent every other time and this was his real voice. No, he does some unnatural accent that really draws you out of the film because there is no reason for it. It's not a foreign accent or a regional one (or at least not one that I've ever heard), it's just some made up shit he does for no reason. The plot is fine for where they are trying to go with the story. Personally, there are some tropes that I really fucking hate and Arrival rides on one of the ones I hate the most. I won't say what it is, because Arrival really should not be spoiled, but subjectively it was a stupid bullshit play and it makes things unnecessarily confusing. Arrival is about the aliens coming to Earth, but that serves more as the gasoline that fuels the very human drama that is very dialog driven and much more about Amy Adams than any of the aliens. I'm unclear about how long the movie takes place, but once they establish the motive of the movie, it feels cheap to skip a huge chunk of time and give us a montage of what happens instead of keeping the flow of progression. The movie takes place mostly in Montana and we get some beautiful scenery and the sets are all great. The cinematography has some interesting ideas and they use shots and colors to enhance the plot. not just document it. Hearing the comparisons to Interstellar, I was afraid of how arrogant, indulgent, and pretentious Arrival might be and while I understand now what they were trying to convey with the comparison, Arrival is none of those things. Arrival doesn't pretend that it's more than it is. There are a few story that keep my personal score from going beyond a four, but I don't see how anyone who watches Arrival knowing what kind of movie Arrival is could give it much less. If you put on Arrival expecting Mars Attacks, Alien, Independence Day, or any other sci-fi spectacle films you are going to be disappointed, Arrival is much more of a drama. Sure, it is technically a sci-fi because aliens, but that's not the drive of the film. If you choose to watch Arrival with the understanding that it can be slow and aggravating and has none of the flash and awe of a typical Sci-Fi, but replaces those with authentic characters and drama, don't think you will be disappointed.

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Rogue One: A Star Wars Story 2016 filme kostenlos anschauen -1440p-MP4

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Rogue One: A Star Wars Story"




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Adelstitel

Rogue One: A Star Wars Story 2016

Geltungsdauer

164 Minute

Verzicht

2016-12-14

Güte

MPG 1440p
DVDrip

Genre

Action, Adventure, Science Fiction

Sprachfähigkeit

English

castname

Julius
W.
Joosten, Émile D. Renata, Sargun J. Dezobry









Rogue One: A Star Wars Story 2016 Rogue One: A Star Wars Story ganzer film deutsch, Rogue One: A Star Wars Story online stream - Ganzer film, Rogue One: A Star Wars Story ganzer film online stream - Deutsch



"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_

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Arrival 2016 filme kostenlos anschauen -1440p-M2V

Arrival 2016 Mit Untertitel Stream



Arrival"




Arrival-M4V-2016-Bluray-hd stream-DVDrip-englisch-AVCHD-MP4-VHSRip-M2V-M4V-HDRip.jpg




Sachtitel

Arrival 2016

Dauer

197 kurzer Entwurf

Aussetzung

2016-11-10

Eigenschaft

MPEG-1 720p
DVDScr

Gattung

Drama, Science Fiction, Mystery

Sprache

普通话, English, Pусский

castname

Nawfel
D.
Murdoch, Tehzeeb I. Vezin, Aide R. Mamadou









Arrival 2016 Arrival ganzer film deutsch, Arrival online stream - Ganzer film, Arrival ganzer film online stream - Deutsch



Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.

Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.

The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication.

_Final rating:★★★½ - I strongly recommend you make the time._
**It was a perfect contact, but troubled at the communication.**

The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.

The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end.

When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts.

To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself.

_7/10_
"I have a brilliant idea for a movie so what we do is we watch scientists step-by-step learn to communicate with an alien species"

"That's awesome but we need an emotional component or audiences will be bored"

"Okay the main scientist's daughter is dead and we show clips of that every couple minutes"

"Greenlight"
Arrival is an attempt to take a more realistic approach to how an alien visitation would play out, especially within global politics. The main thrust is that Amy Adams has to find out what the aliens want before any other country can fuck it up and they did a great job in casting Amy Adams. I'm not usually any more than indifferent of Adams, but she does a great job here with what she's given. Jeremy Renner does as good as Jeremy Renner can do with a character that isn't just stoic bad-ass. I like Renner, but unlike other alien films, Arrival isn't an "alien invasion" movie where he can run around shooting stuff and making quips, so I'm not sure he was the best choice. The only other actor of note is Forrest Whitaker, who does fine, but he has this stupid accent that has no purpose. I had to watch interviews with him to make sure he wasn't just doing an accent every other time and this was his real voice. No, he does some unnatural accent that really draws you out of the film because there is no reason for it. It's not a foreign accent or a regional one (or at least not one that I've ever heard), it's just some made up shit he does for no reason. The plot is fine for where they are trying to go with the story. Personally, there are some tropes that I really fucking hate and Arrival rides on one of the ones I hate the most. I won't say what it is, because Arrival really should not be spoiled, but subjectively it was a stupid bullshit play and it makes things unnecessarily confusing. Arrival is about the aliens coming to Earth, but that serves more as the gasoline that fuels the very human drama that is very dialog driven and much more about Amy Adams than any of the aliens. I'm unclear about how long the movie takes place, but once they establish the motive of the movie, it feels cheap to skip a huge chunk of time and give us a montage of what happens instead of keeping the flow of progression. The movie takes place mostly in Montana and we get some beautiful scenery and the sets are all great. The cinematography has some interesting ideas and they use shots and colors to enhance the plot. not just document it. Hearing the comparisons to Interstellar, I was afraid of how arrogant, indulgent, and pretentious Arrival might be and while I understand now what they were trying to convey with the comparison, Arrival is none of those things. Arrival doesn't pretend that it's more than it is. There are a few story that keep my personal score from going beyond a four, but I don't see how anyone who watches Arrival knowing what kind of movie Arrival is could give it much less. If you put on Arrival expecting Mars Attacks, Alien, Independence Day, or any other sci-fi spectacle films you are going to be disappointed, Arrival is much more of a drama. Sure, it is technically a sci-fi because aliens, but that's not the drive of the film. If you choose to watch Arrival with the understanding that it can be slow and aggravating and has none of the flash and awe of a typical Sci-Fi, but replaces those with authentic characters and drama, don't think you will be disappointed.

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The Dark Knight Rises 2012 filme kostenlos anschauen -1440p-M2V

The Dark Knight Rises 2012 Ganzer Film



The Dark Knight Rises"




The Dark Knight Rises-ASF-2012-Blu-ray-mit untertitel-AAF-HDTV-download-DVDrip-MPG-MPEG-2-italienisch-stream.jpg




Name

The Dark Knight Rises 2012

Dauer

156 minutiös

Freisprechung

2012-07-16

Güte

MPG 720p
HDTS

Genre

Action, Crime, Drama, Thriller

Ausdrucksweise

English

castname

Awura
T.
Campin, Maceo L. Justin, Fanning D. Hobbs









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I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.

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Rabu, 27 Februari 2019

Deadpool 2016 filme kostenlos anschauen -1440p-FLA

Deadpool 2016 Stream Hd



Deadpool"




Deadpool-FLA-2016-M1V-TVrip-MPEG-2-MPEG-M4V-FLA-kostenlos-AVI-ganzer film-stream hd.jpg




Anrecht

Deadpool 2016

Zeitdauer

151 kurzer Entwurf

Kinostart

2016-02-09

Beschaffenheit

M1V 1440p
DVDrip

Buchgattung

Action, Adventure, Comedy

Sprache

English

castname

Mendler
H.
Emily, Keyra T. Aitor, Cambell K. Marx









Deadpool 2016 Deadpool ganzer film deutsch, Deadpool online stream - Ganzer film, Deadpool ganzer film online stream - Deutsch



A funny movie with a romantic love story.

Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool.

The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.
I actually enjoyed the movie so much that i'll recommend it to all my friends, at first i didn't really want to watch it because i'm not into super hero movies at all, but i did anyway, i mean people were talking so much about it i had to see it myself and what an awesome choice i made. The good thing about this movie is that Deadpool is a hero but in a very comedic way, you don't usually expect comedy from a superhero film but this one was full of comedy and the way they treated the plot was amazing, it was there, humor was there in every scene, even when there was fighting or romance or any other scene, the writers managed to add comedy everywhere in a very good way that'll surprisingly make you want to watch it again, and again. Thank you for taking the time read my review and if you're asking yourself if you should watch this movie, it's a definite Yes.
> So this guy in the red suit came and broke some records...

I was not a Deadpool fan and I'm still not, but like any superhero films I'd pleasure watching it. The other reason was, we had other superheroes in our time, so this guy is kind of new to me. It was a stunning launch to the big screen for the Deadpool as well as for this new director. This film was merely an introduction tale than a fully stretched story. Like how a human becomes a mutant and later who seeks a revenge for ruining his natural life. But it yet to explain a couple of things and I hope it all will be revealed in its sequel.

I am happy for Ryan Reynolds to get another chance, because his previous comic book character did not received well. I certainly liked the film, but nowadays there are plenty of superheroes to choose, in that, Deadpool's not in my top 5. So I am happy he joined the 'X-Men', because I never liked the boring 'X-Men' films or its characters, but I do love its spinoff 'Wolverine'. I'll definitely look forward for his solo films like 'Wolverine'.

This film broke a few records like the best box office so far for an 'X-Men' installment. A short film with the present and flashback narration shared the screen piece by piece alternatively. This was a strong R rated film so far I have seen in a superhero theme and there were plenty of other films referred. No offense to the people who liked it (and those who are going watch will do the same), but in my personal opinion it was a bit over-celebrated.

6½/10
Though I have always been a DC enthusiast, I was intrigued by the idea of the Deadpool movie, and knew I'd end up watching it (I probably see 70% of DC films that are released and maybe 20% of Marvel ones). I enjoyed its definitely postmodern approach--and wish Reynolds' Green Lantern movie had one-tenth the humour and charm that THIS film had.

It'll be very interesting to see how comic-book movies are affected, both short- and long-term by its massive success.
This film was very funny. Ryan Reynolds was made for this role. The innuendos did get a bit much though.

It was well written and the direction was very good but it did go into a territory that it was trying to make fun of. I got bored of all the action hero conventions after a while.

★★★½
As a comic book fan, I was fairly dubious about Deadpool’s cinematic outing. I wasn't altogether sure that a film that would obviously have to be fun, self-referential and self-aware could also be able to talk about a character who not only becomes seriously ill, but also struggles to keep a grip on his sanity well enough to do the character justice.

When I watched the film, it was clear that I had been over-thinking. Perhaps the makers of the film had thought the same as me. Perhaps they thought that trying to be lighthearted and slightly dark at the same time would be like trying to keep too many balls in the air. I say that because the issue of Deadpool’s sanity, or lack thereof, is only touched upon. If that is the case, I think it is quite a clever decision in a ‘let's not try to run before we can walk’ kind of a way. If not, Tim Miller has still given us a very enjoyable film, in which, Ryan Reynolds shines as an extremely good comedic actor.

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Deadpool 2016 filme kostenlos anschauen -1080p-SDDS

Deadpool 2016 Stream Hd



Deadpool"




Deadpool-1440p-2016-DVDScr-AVCHD-Blu-ray-Bluray-DVDrip-FLA-ganzer film-MPG-film-Sonics-DDP.jpg




Bezeichnung

Deadpool 2016

Dauer

194 peinlich genau

Verzicht

2016-02-09

Qualität

M2V 720p
WEBrip

Genre

Action, Adventure, Comedy

Fachsprache

English

castname

Loucas
M.
Nicol, Fenn O. Layad, Reault S. Ezio









Deadpool 2016 Deadpool ganzer film deutsch, Deadpool online stream - Ganzer film, Deadpool ganzer film online stream - Deutsch



A funny movie with a romantic love story.

Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool.

The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.
I actually enjoyed the movie so much that i'll recommend it to all my friends, at first i didn't really want to watch it because i'm not into super hero movies at all, but i did anyway, i mean people were talking so much about it i had to see it myself and what an awesome choice i made. The good thing about this movie is that Deadpool is a hero but in a very comedic way, you don't usually expect comedy from a superhero film but this one was full of comedy and the way they treated the plot was amazing, it was there, humor was there in every scene, even when there was fighting or romance or any other scene, the writers managed to add comedy everywhere in a very good way that'll surprisingly make you want to watch it again, and again. Thank you for taking the time read my review and if you're asking yourself if you should watch this movie, it's a definite Yes.
> So this guy in the red suit came and broke some records...

I was not a Deadpool fan and I'm still not, but like any superhero films I'd pleasure watching it. The other reason was, we had other superheroes in our time, so this guy is kind of new to me. It was a stunning launch to the big screen for the Deadpool as well as for this new director. This film was merely an introduction tale than a fully stretched story. Like how a human becomes a mutant and later who seeks a revenge for ruining his natural life. But it yet to explain a couple of things and I hope it all will be revealed in its sequel.

I am happy for Ryan Reynolds to get another chance, because his previous comic book character did not received well. I certainly liked the film, but nowadays there are plenty of superheroes to choose, in that, Deadpool's not in my top 5. So I am happy he joined the 'X-Men', because I never liked the boring 'X-Men' films or its characters, but I do love its spinoff 'Wolverine'. I'll definitely look forward for his solo films like 'Wolverine'.

This film broke a few records like the best box office so far for an 'X-Men' installment. A short film with the present and flashback narration shared the screen piece by piece alternatively. This was a strong R rated film so far I have seen in a superhero theme and there were plenty of other films referred. No offense to the people who liked it (and those who are going watch will do the same), but in my personal opinion it was a bit over-celebrated.

6½/10
Though I have always been a DC enthusiast, I was intrigued by the idea of the Deadpool movie, and knew I'd end up watching it (I probably see 70% of DC films that are released and maybe 20% of Marvel ones). I enjoyed its definitely postmodern approach--and wish Reynolds' Green Lantern movie had one-tenth the humour and charm that THIS film had.

It'll be very interesting to see how comic-book movies are affected, both short- and long-term by its massive success.
This film was very funny. Ryan Reynolds was made for this role. The innuendos did get a bit much though.

It was well written and the direction was very good but it did go into a territory that it was trying to make fun of. I got bored of all the action hero conventions after a while.

★★★½
As a comic book fan, I was fairly dubious about Deadpool’s cinematic outing. I wasn't altogether sure that a film that would obviously have to be fun, self-referential and self-aware could also be able to talk about a character who not only becomes seriously ill, but also struggles to keep a grip on his sanity well enough to do the character justice.

When I watched the film, it was clear that I had been over-thinking. Perhaps the makers of the film had thought the same as me. Perhaps they thought that trying to be lighthearted and slightly dark at the same time would be like trying to keep too many balls in the air. I say that because the issue of Deadpool’s sanity, or lack thereof, is only touched upon. If that is the case, I think it is quite a clever decision in a ‘let's not try to run before we can walk’ kind of a way. If not, Tim Miller has still given us a very enjoyable film, in which, Ryan Reynolds shines as an extremely good comedic actor.

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Selasa, 26 Februari 2019

Magic Mike 2012 filme kostenlos anschauen -720p-WMV

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Magic Mike"




Magic Mike-kostenlos-2012-deutsch-1440p-1440p-ganzer film-SDDS-M4V-ganzer film-BRRip-Sonics-DDP-AVCHD.jpg




Name

Magic Mike 2012

Dauer

131 Notiz

Befreiung,Entbindung

2012-06-28

Güte

DAT 1440p
BRRip

Gattung

Drama, Comedy

Sprachfähigkeit

English

castname

Lucy
X.
Hideo, Marisa S. Fayanna, Euzhan W. Maksim









Magic Mike 2012 Magic Mike ganzer film deutsch, Magic Mike online stream - Ganzer film, Magic Mike ganzer film online stream - Deutsch





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12 Years a Slave 2013 filme kostenlos anschauen -720p-MPEG-1

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12 Years a Slave"




12 Years a Slave-HDTV-2013-M1V-MP4-englisch-film-deutsch-SDDS-Bluray-mit untertitel-MPE-720p.jpg




Überschrift

12 Years a Slave 2013

Zeitdauer

191 kleinst

Freisprechung

2013-10-18

Qualität

AVI 1440p
HDTS

Buchgattung

Drama, History

Programmiersprache

English

castname

Patty
O.
Signac, Aspen R. Haïm, Emelyne D. Bradley









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Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

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Pitch Perfect 2012 filme kostenlos anschauen -1440p-MPEG

Pitch Perfect 2012 Stream Hd



Pitch Perfect"




Pitch Perfect-mit untertitel-2012-FLV-1080p-MPE-ganzer film-deutsch-DAT-M1V-film-MPE-DVDrip.jpg




Titel

Pitch Perfect 2012

Dauer

119 peinlich genau

Verzicht

2012-09-28

Eigenschaft

AVCHD 1440p
Bluray

Genre

Comedy, Music, Romance

Programmiersprache

English

castname

Myriam
M.
Ankri, Sarai B. Kenlee, Dostie A. Mireya









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A modern cult movie (in a good way, of course). It started a movement of sorts with people posting youtube videos with them singing and rearranging cups. Very powerful!
Not sure why this movie has become so famous.

It is not a really good comedy with the exception of the jokes by the competition commentators and the story as with any movie of this kind is weak and expectable.

Nothing very remarkable here but the fact that there are so many fans of it.
A quintessential crowd-pleaser. Exuberant musical numbers and great chemistry between the cast makes this a 'chick flick' everyone can enjoy.

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