Kamis, 27 Juli 2017

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Suicide Squad"




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Sachtitel

Suicide Squad 2016

Zeitdauer

128 sehr klein

Freisprechung

2016-08-03

Qualität

MPEG-2 720p
HDTV

Genre

Action, Adventure, Crime, Fantasy, Science Fiction

Ausdrucksweise

English

castname

Gabel
X.
Rinna, Coan E. Bertin, Olive O. Parrish









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Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

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Inception"




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Adelstitel

Inception 2010

Dauer

171 kleinst

Freigabe

2010-07-15

Beschaffenheit

MPE 720p
HDRip

Genre

Action, Science Fiction, Adventure

Sprachfähigkeit

English, 日本語

castname

Arnaude
F.
Bruant, Fabrice K. Germana, Holly M. Whitney









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When I first saw the trailer for this film, I knew that this would attract a lot of attention. Of course having Leonardo in the lead role helped a lot.


From the trailer, I already know some things. Dreams. All about dreams. But what about dreams? Who are the other people? At first, I didn't really understand what was going on. It was all very confusing to me. But as the movie progresses, I start to understand it and I wanted to watch some more and know more what will happen in the end. The ending. That was, I think, the most intense ending of a movie in a year or probably more than a year. People actually screamed when the screen faded. And of course, people couldn't help but talk about it. It was an open-ended movie where people will have their own endings. My favorite part was Joseph Gordon's fight scene. I think he has the most fun part in this movie.


My rate for this movie is A.
Whether you watch Inception as a heist movie, a redemption story, or a sci-fi action picture, Christopher Nolan's tour de force of dreams will absolutely work its magic over you. The fact that the film works on so many levels (literally) is an attest not only to the visual queues that make it easy for the audience to follow but to how much in control of all the intricacies its filmmaker had to be.

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TDABFrequenz – Wikipedia ~ Rundfunkband I VHFBand I Bisher nicht für TDAB genutzt Gültige Frequenzkoordinierungsabkommen für TDAB in Europa CEPT FINAL ACTS of the CEPT TDAB Planning Meeting Constanța 2007 WI95revCO07 ITU final acts of the European Broadcasting Conference in the VHF and UHF bands Stockholm 1961 as revised Regional Administrative Conference of the Members of the Union in the European

CBFunk – Wikipedia ~ Der CBFunk s band radio ist eine Jedermannfunkanwendung ein kostenfrei nutzbarer Sprechund Datenfunk dem ein Frequenzband um 27 MHz 11MeterBand zugewiesen ist Der dem CBFunk zugeteilte Frequenzbereich liegt am oberen Ende der Kurzwelle und reicht in Deutschland von 26565 MHz bis 27405 MHz 80 Kanäle europaweit von 26965 MHz bis 27405 MHz 40 Kanäle

ConceptMap – Wikipedia ~ Eine ConceptMap ist die Visualisierung von Begriffen Concepts und ihren Zusammenhängen in Form eines Netzes Sie ist ein Mittel zur graphischen Darstellung von Informationen und ein Mittel der Gedankenordnung und reflexion Zu unterscheiden ist die ConceptMap von der MindMap die lediglich eine Baumstruktur aufweist und vom Semantischen Netz das formaler Natur ist und nicht

Frequenzband – Wikipedia ~ OIRTBand Zusätzlich zu den von der ITU für Rundfunk vorgesehenen Bänder I bis V gibt es noch das so genannte wird seit langer Zeit von einigen Mitgliedsländern der OIRT in Osteuropa zur Verbreitung von FMHörfunk verwendet Es reicht von 659 MHz bis 731 MHz und überschneidet sich von 659 MHz bis 68 MHz mit dem Rundfunkband I Heute findet es nur noch in wenigen

ECC – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

GSM Association – Wikipedia ~ 1982 als Groupe Speciale Mobile GSM von der Confederation of European Posts and Telecommunications CEPT ins Leben gerufen um eine paneuropäische Mobilfunktechnologie zu gestalten

BriefmarkenJahrgang 1963 der Deutschen Bundespost – Wikipedia ~ Der BriefmarkenJahrgang 1963 der Deutschen Bundespost umfasste 22 Sondermarken Dauermarken wurden in diesem Jahr keine herausgegeben Die Ausgabe zum Gedenken an „100 Jahre Internationales Rotes Kreuz“ ist eine der wenigen deutschen Briefmarken im Prägedruck

Bildschirmtext – Wikipedia ~ Vorgestellt wurde Btx 1977 vom damaligen Postminister Kurt Gscheidle auf der Internationalen Funkausstellung in Berlin Es war in Deutschland unter der Leitung von Eric Danke entwickelt worden der später Vorstandsmitglied von TOnline wurde Eric Danke war 1975 durch eine Fachveröffentlichung über Samuel Fedida und PRESTEL auf die ursprünglich britische Technologie aufmerksam geworden

BriefmarkenJahrgang 1965 der Deutschen Bundespost – Wikipedia ~ Liste der Ausgaben und Motive Legende Bild Eine bearbeitete Abbildung der genannten Marke Das Verhältnis der Größe der Briefmarken zueinander ist in diesem Artikel annähernd maßstabsgerecht dargestellt


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Arrival"




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Adelstitel

Arrival 2016

Dauer

126 kurzer Entwurf

Freilassung

2016-11-10

Qualität

FLV 1080p
DVDrip

Buchgattung

Drama, Science Fiction, Mystery

Sprache

普通话, English, Pусский

castname

Chris
V.
Saige, Cyrus O. Rihanna, Moheen R. Darrion









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Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.

Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.

The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication.

_Final rating:★★★½ - I strongly recommend you make the time._
**It was a perfect contact, but troubled at the communication.**

The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.

The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end.

When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts.

To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself.

_7/10_
"I have a brilliant idea for a movie so what we do is we watch scientists step-by-step learn to communicate with an alien species"

"That's awesome but we need an emotional component or audiences will be bored"

"Okay the main scientist's daughter is dead and we show clips of that every couple minutes"

"Greenlight"
Arrival is an attempt to take a more realistic approach to how an alien visitation would play out, especially within global politics. The main thrust is that Amy Adams has to find out what the aliens want before any other country can fuck it up and they did a great job in casting Amy Adams. I'm not usually any more than indifferent of Adams, but she does a great job here with what she's given. Jeremy Renner does as good as Jeremy Renner can do with a character that isn't just stoic bad-ass. I like Renner, but unlike other alien films, Arrival isn't an "alien invasion" movie where he can run around shooting stuff and making quips, so I'm not sure he was the best choice. The only other actor of note is Forrest Whitaker, who does fine, but he has this stupid accent that has no purpose. I had to watch interviews with him to make sure he wasn't just doing an accent every other time and this was his real voice. No, he does some unnatural accent that really draws you out of the film because there is no reason for it. It's not a foreign accent or a regional one (or at least not one that I've ever heard), it's just some made up shit he does for no reason. The plot is fine for where they are trying to go with the story. Personally, there are some tropes that I really fucking hate and Arrival rides on one of the ones I hate the most. I won't say what it is, because Arrival really should not be spoiled, but subjectively it was a stupid bullshit play and it makes things unnecessarily confusing. Arrival is about the aliens coming to Earth, but that serves more as the gasoline that fuels the very human drama that is very dialog driven and much more about Amy Adams than any of the aliens. I'm unclear about how long the movie takes place, but once they establish the motive of the movie, it feels cheap to skip a huge chunk of time and give us a montage of what happens instead of keeping the flow of progression. The movie takes place mostly in Montana and we get some beautiful scenery and the sets are all great. The cinematography has some interesting ideas and they use shots and colors to enhance the plot. not just document it. Hearing the comparisons to Interstellar, I was afraid of how arrogant, indulgent, and pretentious Arrival might be and while I understand now what they were trying to convey with the comparison, Arrival is none of those things. Arrival doesn't pretend that it's more than it is. There are a few story that keep my personal score from going beyond a four, but I don't see how anyone who watches Arrival knowing what kind of movie Arrival is could give it much less. If you put on Arrival expecting Mars Attacks, Alien, Independence Day, or any other sci-fi spectacle films you are going to be disappointed, Arrival is much more of a drama. Sure, it is technically a sci-fi because aliens, but that's not the drive of the film. If you choose to watch Arrival with the understanding that it can be slow and aggravating and has none of the flash and awe of a typical Sci-Fi, but replaces those with authentic characters and drama, don't think you will be disappointed.

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Oldboy 2013 filme kostenlos anschauen -1080p-Sonics-DDP

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Oldboy"




Oldboy-auf italienisch-2013-MPEG-auf italienisch-DAT-DAT-Blu-ray-download-FLV-englisch-1080p-M2V.jpg




Sachtitel

Oldboy 2013

Geltungsdauer

142 Sitzungsprotokoll

Verzicht

2013-11-14

Qualität

AVI 1440p
WEBrip

Gattung

Drama, Thriller, Mystery, Action

Fachsprache

English

castname

Lautman
L.
Mengue, Riannan B. Allya, Dielle C. Mica









Oldboy 2013 Oldboy ganzer film deutsch, Oldboy online stream - Ganzer film, Oldboy ganzer film online stream - Deutsch




Boy George – Wikipedia ~ Boy George eigentlich George Alan O’Dowd 1961 in Bexleyheath Gemeinde Bexley heute London ist ein britischer Sänger Songwriter und te Bekanntheit erlangte Boy George in den frühen 1980er Jahren als Sänger der Band Culture aufgrund seines extravaganten Erscheinungsbildes und androgynen Kleidungsstils avancierte er zu einem der bekanntesten Pop

Game Boy – Wikipedia ~ Game Boy Special Edition 1995 wurde der ursprüngliche Game Boy unter der Bezeichnung Special Edition neu aufgelegt Er war zwar technisch mit dem Game Boy Classic identisch aber in zunächst sechs unterschiedlichen Gehäusefarben rot gelb grün schwarz weiß transparent später auch in blau erhältlich und wurde mit einer Transportbox ausgeliefert in die das Gerät vier

Boy Gobert – Wikipedia ~ Boy Gobert war der Sohn des Hamburger Kultursenators Ascan Klée kam nach einigen Theaterengagements unter anderem bei seinem Schauspiellehrer Helmuth Gmelin am Theater im Zimmer 1954 auch zum Film wo er vor allem auf das Rollenfach von Dandys Snobs und Bonvivants festgelegt war „In über 50 Filmen der Nierentischzeit juxte Gobert dann näselnd blasiert durch das Land des

Game Boy Advance – Wikipedia ~ Game Boy Advance Der Game Boy Advance GBA wurde von Nintendo 2001 als Nachfolger des sehr erfolgreichen Game Boy Color auf den europäischen Markt gebracht Gegenüber dem klassischen Game Boy bietet die HandheldKonsole Technik auf dem Stand eines verbesserten Super Nintendos ein größeres Bild eine veränderte Form Quer statt Hochformat und volle Abwärtskompatibilität zu GameBoy

Bubble Boy – Wikipedia ~ Handlung Der 17jährige Jimmy Livingston leidet unter einem Immundefekt weswegen er sein Leben in einem Raum umgeben von einer sterilen Plastikhülle verbringen stark religiöse Mutter kontrolliert sein Leben Als Kind freundet sich Jimmy mit der neuen Nachbarin Chloe an Chloe sagt eines Tages sie würde bald an den Niagarafällen Mark heiraten

Money Boy – Wikipedia ~ Money Boy 1981 in Wien zwischenzeitlich Why SL Know Plug YSL Know Plug Why SL Beezy bürgerlich Sebastian Meisinger ist ein österreichischer wurde vor allem durch den Song Dreh den Swag auf bekannt

Little Boy – Wikipedia ~ Little Boy war nach dem einfachen aber sehr zuverlässigen „Kanonenprinzip“ aufgebaut Ein Versagen der Konstruktion galt als sehr unwahrscheinlich so dass auf einen Test verzichtet wurde Die erste jemals durchgeführte Kernwaffenexplosion der am 16

Turkana Boy – Wikipedia ~ Turkana Boy oder Nariokotome Boy bezeichnet das Fossil eines männlichen Individuums der Gattung Homo dessen außergewöhnlich vollständig erhalten gebliebenes Skelett im August 1984 in Kenia am NariokotomeFluss rund 5 km westlich des TurkanaSees entdeckt wurde

Boy A – Wikipedia ~ Boy A ist ein britischer Film aus dem Jahr 2007 Er handelt von einem jungen Mann der als Kind einen Mord beging und nun aus der Haft entlassen wird um mit anderer Identität ein neues Leben zu beginnen

Golden Boy Manga – Wikipedia ~ Golden Boy Eigenschreibweise in Versalien ist ein Manga von Tatsuya Egawa der ab 1992 in Japan veröffentlicht Werk ist ins Genre Etchi einzuordnen und wurde als Anime adaptiert


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The Dark Knight Rises 2012 filme kostenlos anschauen -1080p-M4V

The Dark Knight Rises 2012 Stream Hd



The Dark Knight Rises"




The Dark Knight Rises-Sonics-DDP-2012-BDRip-online anschauen-untertitel-SDDS-SDDS-deutsch-MP4-DAT-HDRip-DAT.jpg




Name

The Dark Knight Rises 2012

Dauer

187 Minute

Freistellung

2012-07-16

Beschaffenheit

M4V 720p
HDTV

Genre

Action, Crime, Drama, Thriller

Sprachfähigkeit

English

castname

Leonnie
U.
Tamoor, Gaston P. Santos, Romance A. Réda









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I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.

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Rabu, 26 Juli 2017

Jurassic World 2015 filme kostenlos anschauen -1440p-MPEG-1

Jurassic World 2015 Mit Untertitel Stream



Jurassic World"




Jurassic World-film-2015-WEBrip-mit untertitel-DVDrip-HDTV-TVrip-stream-AVI-AAF-DVD-untertitel.jpg




Überschrift

Jurassic World 2015

Zeitdauer

118 Konzept

Kinostart

2015-06-06

Güte

AAF 1440p
BRRip

Genre

Action, Adventure, Science Fiction, Thriller

Fachsprache

English

castname

Frida
M.
Guilhem, Sixtine P. Narcisa, Darwin G. Jordy









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I was a huge fan of the original 3 movies, they were out when I was younger, and I grew up loving dinosaurs because of them. This movie was awesome, and I think it can stand as a testimonial piece towards the capabilities that Christopher Pratt has. He nailed it. The graphics were awesome, the supporting cast did great and the t rex saved the child in me. 10\5 stars, four thumbs up, and I hope that star wars episode VII doesn't disappoint,
Overall action packed movie... But there should be more puzzles in the climax... But I really love the movie.... Excellent...
I've never been a fan of this series. The only impressive thing of the original was the graphics that were, at the time, breathtaking. But we all know great graphics alone can't save a film.
I watched this new effort just to see how far CGI has come in the time since the original and I can safely say, not very far. From the opening scene with the terrible looking and poorly animated bird, it's obvious that CGI has reached its limits in recreating realistic content.
As for the film. The dreadful script and annoying characters helped me lose any interest after about 15 mins. Ok for the age range it's aimed at I suppose, but there are far better films out there worthy of your money.
Untamable Devil.

One thing that would be 100% guaranteed prior to the release of Jurassic World, is that whatever the quality, or lack of, the notices would be mixed. Thus the reactions would be akin to those that Indiana Jones 4 received, charges of ruining childhoods and franchises etc.

Jurassic World does exactly what is expected of it, it's a popcorn blockbuster that plays out as mindless fun, complete with outstanding effects, monster mayhem and moments of dumbness. In fact it's very much a safe sequel, reverting to the original formula without the classy edges of Spielberg's deft touch.

There's a likable cast fronting up the pic, with Chris Pratt as the hero carrying some olde adventure chops about him, and Bryce Dallas Howard (her natural beauty sparkling on Blu-ray) a fun femme side-kick. The writers introduce a couple of new mighty monsters to the series, hell of beasties for sure, while the photography, stunt work and musical score all impress greatly.

The Velociraptor plot line is crummy and daft, almost as daft as Bryce's high heels character arc, and the familiarity factor does grate a little at times, but it's a rollicking good time not to be taken remotely seriously like it's some sort of series disgrace. 7/10
All in all this movie brought back the franchise that started out and captured the worlds attention. From the T-Rex chasing them down the road in there jeep to the velociraptors stalking them and picking them off one by one.

Jurassic World brought the franchise back to the state of reality. (If dinosaurs were real, this would be the set up for a park and containment of dinosaurs).

Chris Pratt did a great job on not only playing his part but looking it as well. Mis. Howard did ok. It seemed like she stumbled through most of her scenes and didn't bring key emotional expressions or reactions to the scene moments. But with her OCD and control issues played up against Mr. Pratt it brought the key relationship to tie the movie together.

This is a must see movie!
Not bad
Well choreographed action set-pieces. Good effects. Dinosaurs are magnificent.

Annoyingly cliched characters. Stupid story. I thought the idea of commercialism and ethics could have and should have been explored better. A character talks about never being able to match the first part which is true. Not sure if they were trying to be funny or just self-referentially depressing.

Chris Pratt was good. Everyone else was pointless.

No where near the first. I would even prefer to watch Jurassic Park 3 than this.

★★
**Jurassic World: A Jurassic Disappointment**

As a fan of the Jurassic Park franchise, especially the first movie, I am quite disappointed with Jurassic World. I was honestly super stoked for the long-awaited sequel to Jurassic Park, but in the end, the movie lacked the charm and mysticism from Jurassic Park. From poorly-developed characters (with the exception of Chris Pratt's Owen Grady) to idiotic plot elements, Jurassic World's only saving grace is the fact that it's a sequel to Jurassic Park.

The dinosaurs honestly look awful and pale in comparison to the dinosaurs in Jurassic Park. The CGI is so obvious and doesn't look realistic at all. Jurassic Park found the right balance of practical effects and computer-generated imagery, giving viewers the feeling that the dinosaurs feel so life-like. Jurassic World basically uses minimal practical effects in favor of CGI galore. It's sad that a 1993 movie has better CGI than a movie made in 2015.

Claire and her nephews Gray and Zach, are cheap imitations of John Hammond and his grandchildren Tim and Lex. Claire is primarily motivated by greed and exploiting the dinosaurs. Hoskins just wants to use the dinosaurs as military weapons. Dr. Henry Wu is a bit more antagonistic, revealed to be secretly creating hybrids for Hoskins as military weapons. The only character that's given some form of development is Owen Grady, played by Star-Lord a.k.a Chris Pratt. His motivations are for researching Velociraptor behavior and actually treats the dinosaurs like living creatures and not just exploited science experiments. Honestly the only redeeming factor throughout the entire movie.

The Indominus Rex tricks the personnel into thinking it's escaped confinement by clawing away at the top of its enclosure. They somehow believe the dinosaur escaped, but wouldn't security be alerted right away? The enclosure doesn't come equipped with bells and whistles? To much surprise (not), the Indominus is actually inside the enclosure with them. This idiotic plot choice allows the Indominus to escape.

Zack and Grey revisiting the original site of Jurassic Park brought back so many nostalgic memories of Jurassic Park. One of the best moments of the entire movie, absolutely loved when they picked up the Jurassic Park banner and the goggles used by Tim. But what killed the moment was when they managed to get the original Jeep started. It's been sitting for over 20 years, non-operational. But for plot convenience, they learned how to fix vehicles previously.

I thought the assault upon the park attendees by the pterosaurs was chilling, swooping up people in the process. Gave a sense of terror that you could actually feel. One of those people being Zara, Claire's assistant. She is attacked by a pteranodon and then eventually eaten alive by the mosasaurus. Her death was just way too drawn out and totally undeserving. A death like this should have been reserved for the villain.

The final battle between the Indominus Rex and Owen's pack of surviving Velociraptor brought me back to the battle between the T-Rex and raptors in Jurassic Park. Then Claire brings out the T-Rex, the very same one from Jurassic Park, and manages to outrun the T-Rex IN HEELS. I was rooting for the T-Rex to win, then the Mosasaurus swoops up and drags the Indominus into the lagoon.

Though this movie attempts to bring back the Jurassic Park charm, it ultimately fails to capture that same magic. Unlike The Force Awakens, another similar movie that calls back to its roots, Jurassic World managed to be much worse than its source material. You feel no true connection to the characters or dinosaurs, the excitement factor is gone, and the music is not memorable at all.

My Rating: 5.5/10.0
Most assuredly the best sequel to _Jurassic Park_, but it doesn't touch the original. "Not being as good as a different movie" is not what's bad about _Jurassic World_ though, what is though is the dropped plotlines, unlikeable characters, haphazard mixing of respect and disrespect for the original at random intervals, a **complete** lack of chemistry between any two characters whatsoever, but most of all the romantic leads, underdeveloped arcs of both characters and story, more Deus Ex Machinas than you can shake a stick at, and some of the most painful dialogue I've seen in a Hollywood flick all year.

But there's Bryce Dallas Howard proving (when given the chance) she's an acting force, which was a particularly pleasant surprise given that the last thing I saw her in was _Spider-Man 3_. Chris Pratt doesn't for a moment make you believe he is anyone other than Chris Pratt, but Chris Pratt is a pretty rad dude so that's more or less a chip in the film's favour.

It also has dinosaurs, so there's that.

_Final rating: ★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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Kingsman: The Secret Service 2015 filme kostenlos anschauen -720p-ASF

Kingsman: The Secret Service 2015 Online Anschauen



Kingsman: The Secret Service"




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Kingsman: The Secret Service 2015

Zeitdauer

199 sehr klein

Befreiung,Entbindung

2015-01-24

Qualität

AVCHD 1080p
Bluray

Genre

Crime, Comedy, Action, Adventure

Ausdrucksweise

English

castname

Aubry
A.
Canet, Miron D. Bernard, Brian I. Droz









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One of the most interesting movies to watch. Humor, action and adventure well plotted into this great movie. The action is just great.
A nice surprise.

I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. Jackson.

An easy movie for a brainless evening.
The kinetic super-spy caper ‘Kingsman: The Secret Service’ will serve as a boisterous blueprint for those teen fanboys out there that will fancy an elaborate overload of James Bond-esque high-powered hedonism. It certainly does not hurt that the high-wire hysteria as showcased in the twitchy ‘Kingman’ is based upon the acclaimed comicbook series by Mark Millar and Dave Gibbons. Also, add into the mix the movie-making overdrive pedigree of director Matthew Vaughn (‘Kick-Ass’, ‘X-Men: First Class’) and slick, cheeky spy-spry send-ups that recall the over-the-top espionage genre and its exaggerated suspense-driven foundation. Well, ‘Kingsman: The Secret Service’ is a cockeyed, pulsating parody that works its ultra-violent magic for the Austin Powers crowd that wants to walk on the high-octane wild side of Bond’s universe.

Sure, ‘Kingsman: The Secret Service’ has its iffy moments where the blatant sexist overtones, magnified violent sequences and a generous bloody bounce of excess will have some stomping their feet in sheer indignation. The apparent knock on ‘Kingsman’ will be its robust ridiculousness and familiarity in Vaughn’s ‘Kick-Ass’ cartoonish vibe. However, the same elements that may cause some reservations with the film’s low-brow lunacy is also the same ingredients that trigger ‘Kingsman: The Secret Service’s carousing charm in majestic mayhem.

The grand gimmick behind behind kick-starting ‘Kingsman’s go-for-broke rollicking is casting the sophisticated presence of the Oscar-winning Colin Firth (‘The King’s Speech’) as dapper Harry Hart (aka ‘Galahad’), a polished and prominent superspy for a British secret intelligence society. Hart’s top-secret spy network is headed up by Arthur (Oscar-winner Michael Caine). The secretive operation is based out of a notable tailor’s shop known as Kingsman. Also worth noting is that all the secret service agents are named after the famed knights of King Arthur’s Round Table. Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet. It is all in a day’s work for the skilled, well-dressed licensed-to-kill operative.

Hart, who had been loyally connected to a fallen colleague from a past mission gone disastrous years before, decides to become a mentor for his late co-worker’s troubled son Gary ‘Eggsy’ Unwin (played by newcomer Taron Egerton) whose law-breaking conduct catches the attention of the police. Feeling a sense of responsibility for his deceased spy buddy’s wayward kid, Hart takes Eggsy under his wings and determines to shape the misguided youngster into resilient Kingman stock. After all, Eggsy has the needed physicality (we are told he is an exceptional gymnast) and roguish spunk to join the ranks of the seemingly understaffed spy outfit. Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin (Mark Strong) as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine (Samuel L. Jackson). The flashy Valentine, a billionaire gone bonkers, hopes to control the world’s climate change. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action. At the demented Valentine’s side is the deliciously disabled exotic henchwoman Gazelle (Sophia Boutella) with the treacherous knack for disarming her adversaries with blazing blades.

The bombastic and eye-pleasing ‘Kingsman: The Secret Service’ sets out to have one goal in mind: to highlight its thunderous homage to spygate spectacles that salute everything from the Agent 007 flicks and related free-wheeling 60’s fare such as the ‘Matt Helm’ and ‘Derek Flint’ spy franchises to the recent espionage vehicles that invite the millennium-based harried heroes such as the Jason Bournes and Jack Ryans of the world into the frenetic fold. It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp.

Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush. Wisely, Vaughn incorporates some of his ‘Kick-Ass’ colourful calisthenics to arm his playful spy yarn. As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb. Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. The 14 year-old males will draw their adventurous inspiration from Egerton’s junior spy Eggsy Unwin. Some may become nostalgic when uncovering the likes of spotting ‘Star Wars’ icon Mark Hamill as an imperiled climate changer scientist caught in the crazy clutches of Jackson’s diabolical antagonist.

Although not the most inventive take on ridiculing the spy genre with over-extended finesse and sensationalism, ‘Kingsman: The Secret Service’ is still a preferred jolting distraction at the beginning of an early stillborn movie season.

Kingman: The Secret Service (2015)

20th Century Fox

1 hr. 40 min.

Starring: Colin Firth, Taron Egerton, Michael Caine, Samuel L. Jackson, Mark Strong and Sophia Boutella

Directed by: Matthew Vaughn

MPAA Rating: R

Genre: Spy Thriller/Action & Adventure/Fantasy & Action
'Kingsman: The Secret Service' is a comedy film that satirises spy movies such as the James Bond franchise. Gary 'Eggsy' Unwin (played by Taron Egerton) is a normal working class 18 year old from London who gets recruited into a super secret spy organisation. Humour comes as he tries to mix with these posh and suave upper-class stereotypes.

Matthew Vaughn has included his typical ultra stylised violence ('Kick Ass') and it does boast a good sound track. There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better. The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd ('Free Bird') whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

'Kingsman' is going to appeal to the intended target age group as it does contain scenes of fantasy violence depicted as "cool" whilst characters swear. It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

★★½
If you like old-fashioned James Bond style movies you probably like this one. It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources. Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

The movie has all the “goodies” of a secret agent movie. British gentlemen agents, action, secret agent “stuff” like shops that are not what they look like, hidden entrances into secret bases, rooms that are actually elevators and of course gadgets, lots of gadget to help our heroes thwart the evil mastermind’s nefarious plans. Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie. That just felt like the producer/director was smoking some funny stuff when making those scenes. There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent 130 minutes as far as I am concerned.

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